Products related to Performance:
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Film Editing : Emotion, Performance and Story
Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film.The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer.Three interrelated aspects, Emotion, Performance and Story, influence this decision-making.Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience.With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film.Examples are closely analysed and discussed using frame grabs, graphics and plans.The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally.Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies.Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.
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Product Photography : Lighting, Composition, and Shooting Techniques
Learn to master lighting and composition in order to create amazing product shots! Whether you re photographing a bottle of wine or a painting, a pair of shoes or a piece of jewellery, successful product photography first requires a thorough knowledge of light.You need to fully understand how light works angles, reflectance, quantity, quality, shadows, and more as well as how it interacts with the materials, shapes, surfaces, and textures you re photographing.Once you know where to place the light and how to shape it, along with key compositional and photographic techniques, you can create beautiful photographs of any product or object you encounter. Of all the photographic genres, product photography requires the most precision, a consistent workflow, and a deep knowledge of optics.While this may seem daunting, anyone can learn to take great product photographs with photographer Nath-Sakura s Product Photography: Lighting, Composition, and Shooting Techniques.Filled with inspiring and beautiful imagery, this book features a wide variety of products with diverse characteristics that will help you learn to tackle any challenge.Is the material glass, metal, liquid, plastic, or rubber?Is the surface s finish shiny, reflective, dull, matte, or satin?Is the texture smooth, rough, or somewhere in between?Nath-Sakura addresses all of this and more. As opposed to other photo cookbooks out there, this book dives deep into the essential concepts you need to know in order to gain a strong technical background for your work.Plus, alongside the text and final photographs are plentiful diagrams, behind-the-scenes shots, and lighting setups to help you on your journey to mastering product photography.Whether your images are destined for catalogues, magazines, advertising, or fine art applications, Product Photography equips you with what you need to know to create flawless product shots.
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Composition & Photography
Own composition, use composition, and make composition your own in your photographs! Of all the magical elixirs that make up a successful photograph, composition is perhaps the most fundamental, and at the same time the most elusive.What makes a composition good ? It s hard to define exactly, but we instinctively recognize good composition when we see it.There is an undeniable emotional response when a composition resonates with and complements the subject matter of an image. But traditional attempts to define good composition and to pass on rules for good compositional construction are often doomed to failure.The truth is, there are no hard and fast rules. Rules eliminate experimentation and spontaneity, which are crucial for creating compelling, dynamic, and exciting compositions.The best compositions contain an element of the unexpected. Expect the unexpected! is perhaps the only viable rule of composition. To create exciting compositions, you must have a willingness to embrace serendipity and change as part of your artistic practice.After all, composition is a process, not a result. In Composition & Photography, photographer and bestselling author Harold Davis teaches you how to perceive patterns and abstractions and incorporate them into your image-making process.If one of the goals of photography is to show viewers things that are new, or things they haven t seen before, or things they have seen many times but need to see anew, then it s with the thoughtful and considered use of composition that you do that. In this book, you ll learn how to reduce your subject matter to the fundamentals, and to show familiar subjects in unfamiliar, novel ways.Harold covers topics and themes such as: ? Lines and circles ? Rectangles ? Combinations ? Repetition ? Symmetry and asymmetry ? Abstraction ? Entering and exiting ? Vanishing points and perspective ? Emphasis ? Designing within a frame ? Creating order from chaos. Composition & Photography will help you find the tools and visual vocabulary to creatively design your photographs.Regardless of the genre and kind of photography you practice, you ll learn to create powerful compositions that incorporate structure and form into your work in ways that best support your images.Along the way, Harold shows and discusses his own work relating to each compositional element or theme he s exploring. And featured throughout the book are exercises about flexibility and process, designed to spur your creativity and help you begin an internal creative discussion.
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Towards Embodied Performance : Directing and the Art of Composition
Towards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance. Through historical context, the author’s 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work.Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based on text analysis and character wants and needs, and the “auteur” director, whose work might focus on visual spectacle at the expense of text or character objectives.This book argues that the director of embodied performance fuses these two approaches, acting as the author of the event.In Part I, readers will explore the core elements of embodied performance – space, time, body, language, and action – through a lens that bridges traditional directing methodology with experimental, devised, collaborative theatre-making.Part II provides examples of this embodied practice by multi-disciplinary artists in visual and sound installation, video and film, dance-theatre, and new music/opera, including such artists as Shirin Neshat, James Turrell, Bill T.Jones, Janet Cardiff, Okwui Okpokwasili, William Kentridge, and Heather Christian.Part III suggests creative prompts and exercises for performance makers to engage the visual, physical, textual, and sonic in compositional storytelling on stage. Towards Embodied Performance is an invaluable resource for theatre directors, devisers, and generative artists at all levels from students to teachers, from early-career to mid-career artists.Directors, actors, choreographers, designers, composers, writers, scholars, and engaged audience members can all use this text to explore collaboratively created performance that invites its audience into the ripest version of the present moment.
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Which camera lens is suitable for product photography?
A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion.
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Which camera lens is suitable for street photography?
A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments.
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Which camera and lens are suitable for animal photography?
For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions.
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Which camera and lens are suitable for wildlife photography?
For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography.
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Shakespeare / Text : Contemporary Readings in Textual Studies, Editing and Performance
Shakespeare / Text sets new agendas for the study and use of the Shakespearean text.Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured.The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.
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Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
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Contemporary Performance Lighting : Experience, Creativity and Meaning
This is the first major collection of critical responses to performance lighting and includes contributions from award-winning lighting designers, researchers and artists.Showcasing recent examples of work – with case studies of lighting practices in Britain, Europe, the US and China – combined with theoretical and analytical approaches to practice, this will enrich your understanding of the role and potential of light in performance and related creative practices. This volume explores three core themes and provides a framework for thinking through the role of light in performance:1.Experience — considers both the audience's experience of light and the ways in which light influences the experience of performers2.Creativity — examines both the creative, performative capacities of light in performance, as well as the creative practices of lighting designers3.Meaning — offers an expanded view of performance aesthetics by examining the capacity of light to influence and generate meaning within performance. The case studies are drawn from a wide-array of lighting practice, including: Jennifer Tipton on the role of light as a structural language in performance; Jesper Kongshaug on the lighting of Copenhagen's Tivoli Gardens; Lucy Carter on her work in installation and dance; Psyche Chui on the productive fusion of Western lighting techniques with contemporary Chinese opera; Katharine Williams on the role of light in feminist political theatre made by RashDash; and Paule Constable on storytelling with light in a range of productions, including War Horse, The Curious Incident of the Dog in the Night Time and Angels in America.
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Professional Camera Lens Filters Kit Lens Hood For Canon Camera Dslr Photography Accessories
ND filters (Neutral Density) reduce the amount of light reaching the film without affecting the color. Can be used to enable slower shutter speeds. Also can be used to better separate subjects from the background by allowing wider apertures, effectively decreasing depth of field. Great for portraiture and outdoor scenes. Features: ND (Neutral Density) Filters reduce the amount of light entering the film without affecting the color. Perfect for higher-quality, long exposure pictures. The addition of a lens hood can help prevent flares-those circles of light that can accompany images where a strong light source is just outside the frame. Professional tulip shape design (also known as flower or petal shape) allows for greater versatility. Perfect for standard or zoom lenses. Easy to use screw mount lens hood screws right onto your lens or filter. Lens hoods also have the added benefit of providing extra protection to your lens from accidental bumps or scratches. Specifications: Lens thread size: 52mm, 58mm (optional) Package size: 11 * 10 * 7cm / 4.3 * 3.9 * 2.8in Package weight: 76g / 2.7oz Package List: 3* ND Filter 1 * Lens Hood 1 * Filter Case
Price: 11.79 € | Shipping*: 0.0 €
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What is the best camera and lens for wildlife photography?
The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences.
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Which editing program is suitable for low-performance PCs?
For low-performance PCs, a lightweight editing program such as Adobe Photoshop Express or GIMP would be suitable. These programs require less processing power and memory, making them more accessible for low-performance PCs. Additionally, they offer basic editing features and are less resource-intensive compared to more advanced editing software like Adobe Photoshop or Lightroom.
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'How do I improve performance when editing in After Effects?'
To improve performance when editing in After Effects, you can try the following tips: 1. Use a powerful computer with a fast processor, plenty of RAM, and a dedicated graphics card to handle the heavy processing demands of After Effects. 2. Utilize the disk cache feature to store temporary files on a fast SSD drive, which can speed up the rendering and playback of your compositions. 3. Optimize your composition by pre-rendering or using proxies for complex layers or effects to reduce the strain on your system. 4. Close unnecessary applications and background processes to free up system resources for After Effects. 5. Consider using the "Render Multiple Frames Simultaneously" feature to distribute the rendering workload across multiple CPU cores for faster processing.
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Should the performance take place via camera or live?
The decision of whether the performance should take place via camera or live depends on the nature of the performance and the audience's preferences. If the performance requires interaction with the audience or relies on the energy of a live audience, then a live performance would be more suitable. On the other hand, if the performance can be effectively conveyed through a camera and the audience prefers the convenience of watching from their own space, then a camera performance would be more appropriate. Ultimately, the choice should be made based on what best serves the artistic vision and the audience's experience.
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