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Product Photography : Lighting, Composition, and Shooting Techniques
Learn to master lighting and composition in order to create amazing product shots! Whether you re photographing a bottle of wine or a painting, a pair of shoes or a piece of jewellery, successful product photography first requires a thorough knowledge of light.You need to fully understand how light works angles, reflectance, quantity, quality, shadows, and more as well as how it interacts with the materials, shapes, surfaces, and textures you re photographing.Once you know where to place the light and how to shape it, along with key compositional and photographic techniques, you can create beautiful photographs of any product or object you encounter. Of all the photographic genres, product photography requires the most precision, a consistent workflow, and a deep knowledge of optics.While this may seem daunting, anyone can learn to take great product photographs with photographer Nath-Sakura s Product Photography: Lighting, Composition, and Shooting Techniques.Filled with inspiring and beautiful imagery, this book features a wide variety of products with diverse characteristics that will help you learn to tackle any challenge.Is the material glass, metal, liquid, plastic, or rubber?Is the surface s finish shiny, reflective, dull, matte, or satin?Is the texture smooth, rough, or somewhere in between?Nath-Sakura addresses all of this and more. As opposed to other photo cookbooks out there, this book dives deep into the essential concepts you need to know in order to gain a strong technical background for your work.Plus, alongside the text and final photographs are plentiful diagrams, behind-the-scenes shots, and lighting setups to help you on your journey to mastering product photography.Whether your images are destined for catalogues, magazines, advertising, or fine art applications, Product Photography equips you with what you need to know to create flawless product shots.
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Composition & Photography
Own composition, use composition, and make composition your own in your photographs! Of all the magical elixirs that make up a successful photograph, composition is perhaps the most fundamental, and at the same time the most elusive.What makes a composition good ? It s hard to define exactly, but we instinctively recognize good composition when we see it.There is an undeniable emotional response when a composition resonates with and complements the subject matter of an image. But traditional attempts to define good composition and to pass on rules for good compositional construction are often doomed to failure.The truth is, there are no hard and fast rules. Rules eliminate experimentation and spontaneity, which are crucial for creating compelling, dynamic, and exciting compositions.The best compositions contain an element of the unexpected. Expect the unexpected! is perhaps the only viable rule of composition. To create exciting compositions, you must have a willingness to embrace serendipity and change as part of your artistic practice.After all, composition is a process, not a result. In Composition & Photography, photographer and bestselling author Harold Davis teaches you how to perceive patterns and abstractions and incorporate them into your image-making process.If one of the goals of photography is to show viewers things that are new, or things they haven t seen before, or things they have seen many times but need to see anew, then it s with the thoughtful and considered use of composition that you do that. In this book, you ll learn how to reduce your subject matter to the fundamentals, and to show familiar subjects in unfamiliar, novel ways.Harold covers topics and themes such as: ? Lines and circles ? Rectangles ? Combinations ? Repetition ? Symmetry and asymmetry ? Abstraction ? Entering and exiting ? Vanishing points and perspective ? Emphasis ? Designing within a frame ? Creating order from chaos. Composition & Photography will help you find the tools and visual vocabulary to creatively design your photographs.Regardless of the genre and kind of photography you practice, you ll learn to create powerful compositions that incorporate structure and form into your work in ways that best support your images.Along the way, Harold shows and discusses his own work relating to each compositional element or theme he s exploring. And featured throughout the book are exercises about flexibility and process, designed to spur your creativity and help you begin an internal creative discussion.
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Lighting for TV and Film
Skilful lighting involves a subtle blend of systematic mechanics and a sensitive visual imagination.It requires anticipation, perceptiveness, patience and know-how.But learning through practice alone can take a great deal of time.This book is a distillation of many years' experience, with advice and guidance that will bring successful results right from the start. Whether you are a student studying lighting techniques in the television, video and film media, or a professional lighting for the camera, this book will be an invaluable aid.Other members of the production team, including camera crews, designers and directors, will also find the information here interesting and useful. The book concentrates primarily on the fundamental principles of lighting in studios, on location and display, as well as single-camera, small unit production, improvised and economy lighting, and working with limited facilities.Emphasis is also placed on the safety aspects of working with lighting equipment. Lighting for Television and Film reflects the author's considerable experience of lighting techniques in BBC studios, his teaching and consultancy work. Gerald Millerson's analytical writings spring from a lifetime's personal experience in the medium, and from his teaching and engineering background.During his career with the BBC, he was primarily associated with studio operations in the Television Service.His lecturing background included courses in TV production at a number of American universities. His other books for Focal Press are Television Production, TV Scenic Design, Video Production Handbook and, in the Media Manuals series, Effective TV Production, Lighting for Video and Video Camera Techniques.
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Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
Price: 6.29 € | Shipping*: 0 €
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What is a camera lens fati-TV?
A camera lens fati-TV is a type of lens that is specifically designed for use with fati-TV cameras. These lenses are optimized to work with the unique characteristics of fati-TV cameras, such as their larger sensor size and higher resolution. Camera lens fati-TV typically offer superior image quality and performance compared to standard lenses, making them ideal for professional video production and broadcasting.
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Which camera lens is suitable for product photography?
A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion.
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Which camera lens is suitable for street photography?
A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments.
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Which camera and lens are suitable for animal photography?
For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions.
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TV-XM-Q29-3MP-M2 3MP+3MP Wireless Security Camera Dual-Lens Wall Mount Smart WiFi Camera
Features: Dual Lens and Dual Screen: This wireless security camera has dual lens(3MP + 3MP) that enables dual screen display at the same time, allowing for a clear monitoring from different perspectives. Flexible Angle Adjustment: Pan tilt rotates 355 left and right, 90 up and down. Omni-directional monitoring without blind spots, get more areas covered, making safety ubiquitous. Smart PIR Motion Detection: When detecting a moving object, the monitor camera will screen first, then automatically push the alarm information to the mobile phone. Fewer unnecessary false alarms and saving power Full Color Night Vision: Equipped with LED white lights and IR lights, the wireless security camera supports IR night vision and full color night vision for clear footage even in low-light conditions Two-way Audio: With built-in microphone and speaker, the wireless monitor camera can build two-way audio to talk and listen to visitors or deter suspicious strangers
Price: 31.99 £ | Shipping*: 0.00 £ -
TV-XM-Q29-3MP-M2 3MP+3MP Wireless Security Camera Dual-Lens Wall Mount Smart WiFi Camera
Features: Dual Lens and Dual Screen: This wireless security camera has dual lens(3MP + 3MP) that enables dual screen display at the same time, allowing for a clear monitoring from different perspectives. Flexible Angle Adjustment: Pan tilt rotates 355 left and right, 90 up and down. Omni-directional monitoring without blind spots, get more areas covered, making safety ubiquitous. Smart PIR Motion Detection: When detecting a moving object, the monitor camera will screen first, then automatically push the alarm information to the mobile phone. Fewer unnecessary false alarms and saving power Full Color Night Vision: Equipped with LED white lights and IR lights, the wireless security camera supports IR night vision and full color night vision for clear footage even in low-light conditions Two-way Audio: With built-in microphone and speaker, the wireless monitor camera can build two-way audio to talk and listen to visitors or deter suspicious strangers
Price: 31.99 £ | Shipping*: 0.00 £ -
TV-XM-Q29-3MP-M2 3MP+3MP Wireless Security Camera Dual-Lens Wall Mount Smart WiFi Camera
Features: Dual Lens and Dual Screen: This wireless security camera has dual lens(3MP + 3MP) that enables dual screen display at the same time, allowing for a clear monitoring from different perspectives. Flexible Angle Adjustment: Pan tilt rotates 355 left and right, 90 up and down. Omni-directional monitoring without blind spots, get more areas covered, making safety ubiquitous. Smart PIR Motion Detection: When detecting a moving object, the monitor camera will screen first, then automatically push the alarm information to the mobile phone. Fewer unnecessary false alarms and saving power Full Color Night Vision: Equipped with LED white lights and IR lights, the wireless security camera supports IR night vision and full color night vision for clear footage even in low-light conditions Two-way Audio: With built-in microphone and speaker, the wireless monitor camera can build two-way audio to talk and listen to visitors or deter suspicious strangers
Price: 31.99 £ | Shipping*: 0.00 £ -
TV-XM-Q29-3MP-M2 3MP+3MP Wireless Security Camera Dual-Lens Wall Mount Smart WiFi Camera
Features: Dual Lens and Dual Screen: This wireless security camera has dual lens(3MP + 3MP) that enables dual screen display at the same time, allowing for a clear monitoring from different perspectives. Flexible Angle Adjustment: Pan tilt rotates 355 left and right, 90 up and down. Omni-directional monitoring without blind spots, get more areas covered, making safety ubiquitous. Smart PIR Motion Detection: When detecting a moving object, the monitor camera will screen first, then automatically push the alarm information to the mobile phone. Fewer unnecessary false alarms and saving power Full Color Night Vision: Equipped with LED white lights and IR lights, the wireless security camera supports IR night vision and full color night vision for clear footage even in low-light conditions Two-way Audio: With built-in microphone and speaker, the wireless monitor camera can build two-way audio to talk and listen to visitors or deter suspicious strangers
Price: 31.99 £ | Shipping*: 0.00 £
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Which camera and lens are suitable for wildlife photography?
For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography.
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What is the best camera and lens for wildlife photography?
The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences.
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With which lens can one do moon photography with a Lumix MFT camera?
One can do moon photography with a Lumix MFT camera using a telephoto lens with a focal length of at least 200mm. This will allow for capturing the details of the moon's surface and its craters. Additionally, using a teleconverter can further extend the focal length for even closer shots of the moon. It's important to use a sturdy tripod to minimize camera shake and achieve sharp images.
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What is the best camera lens for wildlife photography that costs around 500 euros?
The best camera lens for wildlife photography that costs around 500 euros is the Tamron 70-300mm f/4-5.6 Di VC USD. This lens offers a versatile zoom range, allowing you to capture both distant and close-up wildlife shots. It also features image stabilization, which is crucial for handheld shooting in the field. Additionally, the lens has a fast and quiet autofocus system, making it easier to track and capture moving subjects. Overall, the Tamron 70-300mm is a great option for wildlife photographers looking for a high-quality lens at a reasonable price.
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