Products related to Have:
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Product Photography : Lighting, Composition, and Shooting Techniques
Learn to master lighting and composition in order to create amazing product shots! Whether you re photographing a bottle of wine or a painting, a pair of shoes or a piece of jewellery, successful product photography first requires a thorough knowledge of light.You need to fully understand how light works angles, reflectance, quantity, quality, shadows, and more as well as how it interacts with the materials, shapes, surfaces, and textures you re photographing.Once you know where to place the light and how to shape it, along with key compositional and photographic techniques, you can create beautiful photographs of any product or object you encounter. Of all the photographic genres, product photography requires the most precision, a consistent workflow, and a deep knowledge of optics.While this may seem daunting, anyone can learn to take great product photographs with photographer Nath-Sakura s Product Photography: Lighting, Composition, and Shooting Techniques.Filled with inspiring and beautiful imagery, this book features a wide variety of products with diverse characteristics that will help you learn to tackle any challenge.Is the material glass, metal, liquid, plastic, or rubber?Is the surface s finish shiny, reflective, dull, matte, or satin?Is the texture smooth, rough, or somewhere in between?Nath-Sakura addresses all of this and more. As opposed to other photo cookbooks out there, this book dives deep into the essential concepts you need to know in order to gain a strong technical background for your work.Plus, alongside the text and final photographs are plentiful diagrams, behind-the-scenes shots, and lighting setups to help you on your journey to mastering product photography.Whether your images are destined for catalogues, magazines, advertising, or fine art applications, Product Photography equips you with what you need to know to create flawless product shots.
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Composition & Photography
Own composition, use composition, and make composition your own in your photographs! Of all the magical elixirs that make up a successful photograph, composition is perhaps the most fundamental, and at the same time the most elusive.What makes a composition good ? It s hard to define exactly, but we instinctively recognize good composition when we see it.There is an undeniable emotional response when a composition resonates with and complements the subject matter of an image. But traditional attempts to define good composition and to pass on rules for good compositional construction are often doomed to failure.The truth is, there are no hard and fast rules. Rules eliminate experimentation and spontaneity, which are crucial for creating compelling, dynamic, and exciting compositions.The best compositions contain an element of the unexpected. Expect the unexpected! is perhaps the only viable rule of composition. To create exciting compositions, you must have a willingness to embrace serendipity and change as part of your artistic practice.After all, composition is a process, not a result. In Composition & Photography, photographer and bestselling author Harold Davis teaches you how to perceive patterns and abstractions and incorporate them into your image-making process.If one of the goals of photography is to show viewers things that are new, or things they haven t seen before, or things they have seen many times but need to see anew, then it s with the thoughtful and considered use of composition that you do that. In this book, you ll learn how to reduce your subject matter to the fundamentals, and to show familiar subjects in unfamiliar, novel ways.Harold covers topics and themes such as: ? Lines and circles ? Rectangles ? Combinations ? Repetition ? Symmetry and asymmetry ? Abstraction ? Entering and exiting ? Vanishing points and perspective ? Emphasis ? Designing within a frame ? Creating order from chaos. Composition & Photography will help you find the tools and visual vocabulary to creatively design your photographs.Regardless of the genre and kind of photography you practice, you ll learn to create powerful compositions that incorporate structure and form into your work in ways that best support your images.Along the way, Harold shows and discusses his own work relating to each compositional element or theme he s exploring. And featured throughout the book are exercises about flexibility and process, designed to spur your creativity and help you begin an internal creative discussion.
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To Have and Have Not
Harry Morgan was hard - the classic Hemingway hero - rum-running, gun-running and man-running from Cuba to the Florida Keys in the Depression.He ran risks, too, from stray coastguard bullets and sudden double-crosses.But it was the only way he could keep his boat, keep his independence, and keep his belly full... This classic novella was turned into a brilliant film by Howard Hawks - the film in which Humphrey Bogart and Lauren Becall met - and remains an important work by one of the greatest American novelists of the twentieth century.
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We Have Some Notes… : The Insider’s Guide to Notes, Script Editing and Development
From the early stages of script writing to the final cut, We Have Some Notes… provides a detailed overview of the script editing and development process, emphasising the impact of critical feedback, or 'notes', in the creation of successful films and television shows. Through interviews with leading industry practitioners, including Lynne Ramsay, Russell T Davies, Sally Wainwright, Edgar Wright, Lone Scherfig, Ben Wheatley and Simon Beaufoy, Venetia Hawkes explores the writer, director and note-giver relationship.The interviewees discuss the most productive and harmonious ways to give and receive feedback, and the role notes play in a fruitful creative process. Respected ‘note-givers’, such as Tessa Ross, Eva Yates and Pippa Harris, provide advice on nurturing successful development relationships.Inter-chapter sections pose key questions, such as "What’s one thing never to do if you’re giving notes?" and "How do you deal with rejection or critical notes?" Providing illuminating, practical guidance on ways of working successfully with notes, for both writers and directors. With its wealth of first-hand reflections, expert advice, and historical context, We Have Some Notes… is a vital read for students, industry professionals, and anyone interested in the making of acclaimed films and television series.
Price: 18.99 £ | Shipping*: 3.99 £
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Which camera lens is suitable for product photography?
A macro lens is typically the best choice for product photography. Macro lenses are designed to capture small subjects with great detail and clarity, making them ideal for capturing the intricate details of products. They also have a close focusing distance, allowing you to get up close to the product for detailed shots. Additionally, a lens with a focal length between 50mm and 100mm is recommended for product photography as it provides a natural perspective and minimizes distortion.
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Which camera lens is suitable for street photography?
A prime lens with a focal length between 35mm and 50mm is typically considered suitable for street photography. These lenses offer a natural field of view that closely resembles what the human eye sees, making them great for capturing candid moments in urban environments. Additionally, prime lenses are often compact and lightweight, which is ideal for street photographers who need to move quickly and discreetly. Overall, a 35mm or 50mm prime lens is a popular choice among street photographers for its versatility and ability to capture authentic moments.
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Which camera and lens are suitable for animal photography?
For animal photography, a camera with a fast autofocus system and high burst rate is essential to capture fast-moving subjects. A good choice would be a DSLR or mirrorless camera with at least 20 megapixels for high-quality images. As for the lens, a telephoto lens with a focal length of 70-200mm or longer is recommended to get close-up shots of animals without disturbing them. Additionally, a lens with image stabilization can help reduce camera shake when shooting handheld in low light conditions.
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Which camera and lens are suitable for wildlife photography?
For wildlife photography, a camera with a fast continuous shooting speed, high resolution, and good low-light performance is ideal. Cameras like the Canon EOS 90D, Nikon D500, or Sony Alpha a6600 are popular choices. When it comes to lenses, a telephoto lens with a focal length of at least 300mm is recommended to capture distant wildlife without disturbing them. Lenses like the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, or Sony FE 200-600mm f/5.6-6.3 G OSS are great options for wildlife photography.
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Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
Camera Lens Partner Baby Photography Attraction Lens Buddy Photography Accessory Photography Studio
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The Dogs Have Barked, the Birds Have Flown
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Tractors Have Wings!
Tractors have wings, don't they? And trains . . . run on water? That can't be right!Turn the peep-through pages to transform vehicles back to how they should look.Little ones will HOOT with laughter at the mixed-up pairings - from trains that run on water to cars that zoom through outer space!With dry, humorous text and a surprise flap on the final page!A hilariously interactive introduction to first concepts.
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Pigs Have Wings
It is pig stealing time in Shropshire. After winning the Fat Pig competition for two years in a row with Empress of Blandings, Lord Emsworth's ascendancy at the Agricultural Show is threathened by Sir Gregory Parsloe's new sow, Queen of Matchingham.Always keen to help, Lord Emsworth's brother Galahad plots the theft of the Parsloe pig.In retaliation, Sir Gregory's pigman, George Cyril Wellbeloved, snaffles the Empress.While these momentous events are under way, a romantic comedy unfolds at Blandings Castle whither Jerry Vail her pursued Penny Donaldson.But Penny is engaged to Orlo Vosper who pines for Gloria Salt who is engaged to Sir Gregory who rediscovers Maudje Stubbs who has charmed Lord Emsworth, who is Jerry's employer.
Price: 15.00 £ | Shipping*: 3.99 £
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What is the best camera and lens for wildlife photography?
The best camera for wildlife photography is typically a DSLR or mirrorless camera with a high resolution sensor, fast autofocus system, and good low-light performance. Popular choices include the Canon EOS 5D Mark IV, Nikon D850, or Sony A7R IV. For lenses, a telephoto lens with a focal length of at least 300mm is recommended for capturing wildlife from a distance. Some popular options include the Canon EF 100-400mm f/4.5-5.6L IS II, Nikon AF-S 200-500mm f/5.6E ED VR, or Sony FE 100-400mm f/4.5-5.6 GM OSS. Ultimately, the best camera and lens will depend on your budget, specific needs, and personal preferences.
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Does the camera have a lens error?
Without more specific information or context, it is difficult to determine if the camera has a lens error. Lens errors can occur due to various reasons such as physical damage, dirt or debris obstructing the lens mechanism, or mechanical issues. If the camera is displaying an error message related to the lens or if the lens is not extending or retracting properly, it is likely that there is a lens error. In such cases, it is recommended to try troubleshooting steps like gently cleaning the lens, removing any obstructions, or resetting the camera before seeking professional repair services.
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With which lens can one do moon photography with a Lumix MFT camera?
One can do moon photography with a Lumix MFT camera using a telephoto lens with a focal length of at least 200mm. This will allow for capturing the details of the moon's surface and its craters. Additionally, using a teleconverter can further extend the focal length for even closer shots of the moon. It's important to use a sturdy tripod to minimize camera shake and achieve sharp images.
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What is the best camera lens for wildlife photography that costs around 500 euros?
The best camera lens for wildlife photography that costs around 500 euros is the Tamron 70-300mm f/4-5.6 Di VC USD. This lens offers a versatile zoom range, allowing you to capture both distant and close-up wildlife shots. It also features image stabilization, which is crucial for handheld shooting in the field. Additionally, the lens has a fast and quiet autofocus system, making it easier to track and capture moving subjects. Overall, the Tamron 70-300mm is a great option for wildlife photographers looking for a high-quality lens at a reasonable price.
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